“The way music is currently consumed seems to me to be a way to democratize it. I do not know if I explain. For me it is a way that music can reach as many people as possible, I can write a song right now on my computer, upload it to the network and get many people to know it almost immediately, that’s something very interesting.
The dark side of this is how the streaming companies compensate the artists; it takes lots of thousands of dollars and a lot of time to make an album that people want to listen to, and once you release the streaming it takes a long time to return those monetary compensations to the artists who ultimately make the content … and without that content, because there would be no business,” said John Rzeznik, vocalist and guitarist of Goo Goo Dolls, in an interview with Excelsior from Minneapolis, Minnesota.
For Rzeznik, who is in charge of most of the compositions of the group, the advances and the new recording techniques, they have given him the freedom to experiment and mix them together, thus he has found that techniques of the 50s make 21st century issues achieve a unique identity.
“I mix a lot of technology with the way in which music was made before, I have a huge collection of recordings in which I have used techniques and devices from the 50s and 60s and I have tried to unite them with the things that we can work with today.
There are very good things in each method and in each time, and that gives you many options to correct errors that you have had before … that is, if you have plans to stay in this you do not have to lose sight of the fact that things are changing, in this time, much more quickly and that is an opportunity to give personality to your creations, “he added.
Under that premise the restless guitarist recently finished what will be the number 12 album of Goo Goo Dolls. Miracle Pill is the name of this new production that could go on the market during the summer and in which Rzeznik decided to take a different direction than what he had done previously.
“This album was made completely different from others I had made. I collaborated with some composers and worked with several contributors; What I wanted was to be able to capture different textures of the songs and do it with emotions that could be interpenetrated with music and lyrics, the process was very fun, every song during each day, conversations with the people who were involved.
I just finished it and the most likely thing is that at some point in the summer, I’ll go out so that people know about it. It’s ready, now it’s in the mixing process, and it’s very likely that we’ll play some songs from this album over there,” he said.
For his presentation tomorrow in the Mexican capital-after visiting Monterrey and Guadalajara-the vocalist said that one of the things he loves most about shows is the possibility of offering the public songs that they like to sing, something that really He never bothered to do, referring to Iris, success with which they became known globally thanks to the film City of Angels.
“I’ve never done a show there, so this is something new for me, for us; We had many years of touring, but we had not been able to go. I know we have a lot of fans in Mexico because many of them go to concerts in the United States, but now the opportunity to go there to play is incredible, I know we’re going to have a great time. The idea is to play as many songs as people know as Iris, it is exciting to experience this kind of community and be ‘touched’ by the public,” he concluded.